johnrpierce.com Blog

December 29, 2011

December 29, 2011

Filed under: Gerald Finley — Administrator @ 6:17 pm

“Pappano, . . . at this point one of the most important people in opera, crowned a stunning year . . . with a concert recording of Rossini’s Guillaume Tell (EMI Classics). Rossini’s last opera, another important work opposing political repression, is, despite the familiarity of a small part of its very long overture, rarely staged (never mind that the enterprising SF Opera performed it twice in the 90s). But with Gerald Finley . . . in the title role, Pappano hit the apple at its core.”–Tim Pfaff, “Best classical discs 2011,” Bay Area Reporter

Boston Symphony Orchestra, Dec. 1, Symphony Hall — Jiri Belohlavek, conducting; Sasha Cooke and Gerald Finley, soloists — One of the top ten performances of classical music in Boston and vicinity during 2011, according to Keith Powers of the Patriot Ledger. “Levine is gone, but his programming lingers, for this season at least. His survey of John Harbison's symphonies, including this performance of the fifth, added tremendous perspective and insight into that body of work. A major program that also included the fourth Beethoven concerto and his Leonore Overture.”

December 28, 2011

Happy New Year!

Filed under: Uncategorized — Administrator @ 9:20 am

December 23, 2011

Merry Christmas!

Filed under: Juan Diego Florez — Administrator @ 4:53 pm

December 22, 2011

December 22, 2011

Filed under: Gerald Finley — Administrator @ 11:04 am

2011: A very mixed year for classical music in Boston–Lloyd Schwartz, the Phoenix.

December 13, 2011

Future Sony CD releases of Metropolitan Opera performances

Filed under: Franco Corelli — Administrator @ 9:35 pm

Future Sony CD releases of Metropolitan Opera performances: release dates January 17, 2012, in United States, and February 6, 2012, in United Kingdom.

Donizetti: L’Elisir d’Amore

Roberta Peters, Carlo Bergonzi, Frank Guarrera, Fernando Corena, Loretta Di Franco, Metropolitan Opera Orchestra & Chorus conducted by Thomas Schippers

2 CDs taken from the March 5, 1966 live performance.

CD, amazon.com

CD, amazon.co.uk

Mascagni: Cavalleria Rusticana, and Leoncavallo: Pagliacci

Eileen Farrell, Richard Tucker, Cesare Bardelli, Lucine Amara, Franco Corelli, Anselmo Colzani, Metropolitan Opera Orchestra & Chorus conducted by Nello Santi

In Cavalleria Rusticana, the first half of opera's most famous double feature, Eileen Farrell sings the role of the ill-fated Santuzza in what would be her last Met broadcast.

Pagliacci stars Franco Corelli as Canio, the clown who must make his audience laugh while he himself is consumed with despair, in what would be the famous tenor's only Met broadcast performance in the role.

2 CDs taken from the April 11, 1964, live performance.

CD, amazon.com

CD, amazon.co.uk

Verdi: Ernani

Carlotta Ordassy, Giorgio Tozzi, Robert Nágy, Carlo Bergonzi, Leontyne Price,
Cornell MacNeil, Ronald Reitan; Metropolitan Opera Orchestra and Chorus conducted by Thomas Schippers

2 CDs taken from the December 1, 1962, live performance.

CD, amazon.com

CD, amazon.co.uk

Verdi: Luisa Miller

Richard Tucker, Ezio Flagello, Sherrill Milnes, Giorgio Tozzi, Nancy Williams,
Montserrat Caballé, Louise Pearl; Metropolitan Opera Orchestra and Chorus conducted by Thomas Schippers

2 CDs taken from the February 17, 1968 live performance.

CD, amazon.com

CD, amazon.co.uk

December 13, 2011

Filed under: Bryn Terfel,Simon Keenlyside — Administrator @ 1:34 pm

Simon Keenlyside, Bryn Terfel and Francesca Zambello on Don Giovanni

December 5, 2011

December 5, 2011

Filed under: Iestyn Davies — Administrator @ 10:57 pm

Washington Post review of Washington recital of Iestyn Davies

Jul med Peter Mattei

Filed under: Peter Mattei — Administrator @ 12:55 pm

An album of Christmas songs sung in Swedish by Peter Mattei, Jul med Peter Mattei, can be purchased as an mp3 download from amazon.com.

December 2, 2011

Boston Symphony Orchestra concert

Filed under: Gerald Finley,Nathan Gunn — Administrator @ 8:02 pm

I attended the Boston Symphony Orchestra’s concert this afternoon at Symphony Hall in Boston. Jiri Belohlavek conducted.

The first work on the program was Harbison’s symphony no. 5 for baritone, mezzo-soprano, and orchestra (2008), on texts of Czeslaw Milosz, Louise Glück, and Rainer Maria Rilke. I had attended the work’s premiere in 2008 (see notes below) and was interested to hear it again. Both soloists were very good, but I felt that I had enjoyed the symphony more the first time I heard it. In 2008, and I’m just guessing here, maybe the conductor James Levine and the baritone Nathan Gunn had a higher opinion of the work and were doing their best to give it a good performance. Maybe Belohlavek and Finley did not quite share Levine and Gunn’s appreciation of the work. And of course maybe not at all. As I said, I’m just guessing. Finley did enunciate the words very clearly, as did Nathan Gunn in 2008, but Nathan Gunn has a more pleasant voice that it is easier to listen to for twenty minutes or so when the music itself is not very interesting. I thought that Finley did not like the notes he was asked to sing in a couple of places, one of them being the line about descending many floors. Sasha Cooke has a lush voice that it was a pleasure to hear.

After the intermission, Beethoven's piano concerto number 4 was given a beautiful performance, with Jonathan Biss the piano soloist. Then came Beethoven's Leonore Overture no. 3, which Belohlavek conducted from memory. The orchestra sounded especially wonderful in that work.

This was an afternoon performance. All the men on stage wore business suits, except Gerald Finley, who wore a frock coat with a purple tie and a white shirt with buttoned cuffs. He looked better in a frock coat than Dmitri Hvorostovsky did in his recital last February. Sasha Cooke wore a black evening gown.

My notes on the April 17, 2008, concert:

I attended a performance of the new Harbison symphony tonight (i.e.
Thursday night). It is in four movements, with singing in every
movement. The baritone sings in the first two movements, the
mezzo-soprano sings in the third movement, and they both sing in the
last movement. It lasts roughly 40 minutes, give or take a few
minutes. Nathan did very well, I thought, even though it may not be
the ideal piece to show off his voice. The symphony held my interest
throughout and was never unpleasant. He wore white tie and tails and
looked more rested, but the hair looked about the same. No dancing,
but he did sway his hips a few times while he was standing and
singing. Kate Lindsey was quite impressive.

Mahler’s Das Lied von der Erde was performed after the intermission.
Johan Botha was not there because he was ill. He was replaced by Ben
Heppner. Anne-Sofie von Otter was very moving, especially in the last
movement. She looked spectacular in a red silk dress that appeared to
be of Chinese design.

Links to reviews

November 29, 2011

November 29, 2011

Filed under: Mirella Freni — Administrator @ 1:34 am

Another article about Mirella Freni adds to the story the information that she says a year and a half ago she delegated to daughter management of funds, modenatoday.it

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