johnrpierce.com Blog

February 13, 2012

Samuel Barber: Un nostalgique entre deux mondes

Filed under: Gerald Finley — Administrator @ 12:51 pm

Pierre Brévignon has written a book in French about the American composer Samuel Barber, Samuel Barber: Un nostalgique entre deux mondes.

Pierre Brévignon a interviewé des chanteurs qui ont particulièrement défendu Barber au disque (Gerald Finley, Roberta Alexander, Barbara Hendricks…) mais aussi ceux qui ont eu le privilège de créer ses œuvres, comme Martina Arroyo, la première à avoir interprété Andromache's Farewell, ou Tom Krause, créateur de la cantate The Lovers. Ne manque à l’appel que Fischer-Dieskau, pour qui furent conçues les 3 Songs, op. 45, dernier cycle de mélodies du compositeur.

Ce livre se lit fort agréablement, et les nombreuses analyses musicales n'y rebutent pas le lecteur non-musicologue.

–Laurent Bury, “The Misfit,” forumopera.com

December 29, 2011

December 29, 2011

Filed under: Gerald Finley — Administrator @ 6:17 pm

“Pappano, . . . at this point one of the most important people in opera, crowned a stunning year . . . with a concert recording of Rossini’s Guillaume Tell (EMI Classics). Rossini’s last opera, another important work opposing political repression, is, despite the familiarity of a small part of its very long overture, rarely staged (never mind that the enterprising SF Opera performed it twice in the 90s). But with Gerald Finley . . . in the title role, Pappano hit the apple at its core.”–Tim Pfaff, “Best classical discs 2011,” Bay Area Reporter

Boston Symphony Orchestra, Dec. 1, Symphony Hall — Jiri Belohlavek, conducting; Sasha Cooke and Gerald Finley, soloists — One of the top ten performances of classical music in Boston and vicinity during 2011, according to Keith Powers of the Patriot Ledger. “Levine is gone, but his programming lingers, for this season at least. His survey of John Harbison's symphonies, including this performance of the fifth, added tremendous perspective and insight into that body of work. A major program that also included the fourth Beethoven concerto and his Leonore Overture.”

December 22, 2011

December 22, 2011

Filed under: Gerald Finley — Administrator @ 11:04 am

2011: A very mixed year for classical music in Boston–Lloyd Schwartz, the Phoenix.

December 2, 2011

Boston Symphony Orchestra concert

Filed under: Gerald Finley,Nathan Gunn — Administrator @ 8:02 pm

I attended the Boston Symphony Orchestra’s concert this afternoon at Symphony Hall in Boston. Jiri Belohlavek conducted.

The first work on the program was Harbison’s symphony no. 5 for baritone, mezzo-soprano, and orchestra (2008), on texts of Czeslaw Milosz, Louise Glück, and Rainer Maria Rilke. I had attended the work’s premiere in 2008 (see notes below) and was interested to hear it again. Both soloists were very good, but I felt that I had enjoyed the symphony more the first time I heard it. In 2008, and I’m just guessing here, maybe the conductor James Levine and the baritone Nathan Gunn had a higher opinion of the work and were doing their best to give it a good performance. Maybe Belohlavek and Finley did not quite share Levine and Gunn’s appreciation of the work. And of course maybe not at all. As I said, I’m just guessing. Finley did enunciate the words very clearly, as did Nathan Gunn in 2008, but Nathan Gunn has a more pleasant voice that it is easier to listen to for twenty minutes or so when the music itself is not very interesting. I thought that Finley did not like the notes he was asked to sing in a couple of places, one of them being the line about descending many floors. Sasha Cooke has a lush voice that it was a pleasure to hear.

After the intermission, Beethoven's piano concerto number 4 was given a beautiful performance, with Jonathan Biss the piano soloist. Then came Beethoven's Leonore Overture no. 3, which Belohlavek conducted from memory. The orchestra sounded especially wonderful in that work.

This was an afternoon performance. All the men on stage wore business suits, except Gerald Finley, who wore a frock coat with a purple tie and a white shirt with buttoned cuffs. He looked better in a frock coat than Dmitri Hvorostovsky did in his recital last February. Sasha Cooke wore a black evening gown.

My notes on the April 17, 2008, concert:

I attended a performance of the new Harbison symphony tonight (i.e.
Thursday night). It is in four movements, with singing in every
movement. The baritone sings in the first two movements, the
mezzo-soprano sings in the third movement, and they both sing in the
last movement. It lasts roughly 40 minutes, give or take a few
minutes. Nathan did very well, I thought, even though it may not be
the ideal piece to show off his voice. The symphony held my interest
throughout and was never unpleasant. He wore white tie and tails and
looked more rested, but the hair looked about the same. No dancing,
but he did sway his hips a few times while he was standing and
singing. Kate Lindsey was quite impressive.

Mahler’s Das Lied von der Erde was performed after the intermission.
Johan Botha was not there because he was ill. He was replaced by Ben
Heppner. Anne-Sofie von Otter was very moving, especially in the last
movement. She looked spectacular in a red silk dress that appeared to
be of Chinese design.

Links to reviews

October 9, 2011

Gramophone Awards 2011 — Solo Vocal

Filed under: Gerald Finley,Julius Drake — Administrator @ 10:42 pm

Pianist Julius Drake accepts the Solo Vocal Award for the Hyperion recording of Britten’s Songs and Proverbs of William Blake that he made with baritone Gerald Finley. The recording is championed by Gramophone’s editor James Inverne.

June 28, 2011

June 28, 2011

Filed under: Gerald Finley — Administrator @ 11:46 am

Wagner’s Die Meistersinger von Nürnberg was streamed directly from the Glyndebourne Festival on 26 June 2011. The stream is now available for free catch-up viewing until Sunday 3 July 2011.

May 21, 2011

May 21, 2011

Filed under: Gerald Finley,Uncategorized — Administrator @ 10:00 am


Glyndebourne’s Die Meistersinger von Nürnberg production photos

May 20, 2011

May 19, 2011

Filed under: Gerald Finley — Administrator @ 12:00 am

“My whole career began here, was sustained here, and now it’s taking me further than I’d ever imagined possible,” says Gerald Finley about Glyndebourne, quoted at wsj.com.

May 17, 2011

May 17, 2011

Filed under: Gerald Finley,Sarah Connolly — Administrator @ 10:53 am

“Interview: Gerald Finley making history at Glyndebourne…,” MusicalCriticism.com

“On 26th June 2011 Glyndebourne and the Guardian will join forces to stream the last night of its sell-out production Die Meistersinger von Nürnberg live online via guardian.co.uk and glyndebourne.com. This live streaming will be the first of its kind undertaken by any UK opera house or UK newspaper. The streaming will be available for seven days after the initial broadcast and will be free of charge to viewers. On 21st August Glyndebourne and the Guardian will stream the acclaimed production of The Turn of the Screw live from the Festival.”–glyndebourne.com

Sarah Connolly will be Octavian in performances of Der Rosenkavalier for English National Opera, beginning 28 January 2012, reports theartsdesk.com.

May 6, 2011

May 6, 2011

Filed under: Christine Brewer,Gerald Finley — Administrator @ 11:11 am

The Boston Symphony Orchestra has announced its 2011-2012 season. Among the vocal soloists who are scheduled to appear are:

James Morris in excerpts from Die Meistersinger von Nürnberg

Sasha Cooke and Gerald Finley in Harbison's Symphony no. 5

Carolyn Sampson, Camilla Tilling, and Mark Padmore in Mendelssohn's Lobgesang

Christine Brewer, Michelle De Young, Simon O’Neill, and Eric Owens in Beethoven’s Missa Solemnis

Anna Prohaska and Hanno Müller-Brachmann in Brahms's A German Requiem

Layla Claire and Kate Lindsey in Mendelssohn's Incidental Music to A Midsummer Night's Dream (with Claire Bloom, narrator)

and

Jessica Rivera, Meredith Arwady, Roberto Saccá, and Günther Groissböck in Beethoven's Symphony no. 9.

Boston Globe review of Boston Symphony’s Roméo et Juliette by Berlioz

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